Shamelessly dynamic, rhythmic and methodically crafted, Loring fuses venerated practices and innovative design, manipulating color, shape and dimension in her appliquéd compositions
“Finding my way as an artist has allowed me to try many paths. Collage brings together, for me, the paths I have been and where I am going.”
“These pieces are from a series of works depicting music. I hope the viewer can imagine sound.”
“I paint in layers, which is also how I see the world – I make paintings on top of paintings and sometimes on top of words. Whatever we see in a given moment is simply the surface, there’s always something underneath”
“For years my work has been guided by the core issues of identity and integration of the disowned elements in our nature.”
“I extrude my drawings into three dimensions, and arrange them in appealing theatrical spaces: discarded packaging, small tin boxes, stolen spoons and other ephemera.”
Beloved Baltimore artist Joan Erbe often visited the circus as a child, with her father, where they were soon on a first name basis with many of the side show performers. She also traveled to NY every summer to stay with her aunt and uncle, who hosted a variety of artists, actors, and entertainers. It’s these characters that stayed with her and informed her work throughout her career, until she passed away in 2014, just shy of her 88th birthday.
Prints and Watercolors
Joan Erbe studied at MICA, with Jacques Maroger and Louis Bouche. Known more as a painter, she also established herself as a talented ceramicist, sculptor and printmaker. She had her first solo exhibit at the Baltimore Museum of Art in 1966, with many more shows to come at the IFA Gallery in D.C., many notable universities, the Corcoran Gallery, the Library of Congress, and numerous galleries across the nation.
“When I paint I am illustrating the way in which I am connected to my environment. I am drawn to the patterns, colors and figures that I see in daily life, which I then use to populate a world of my own.”
“At first glance, my work addresses my perception of society as a person with a disability. Objects such as my head-stick and my wheel chair are referenced in my artwork as symbols of my everyday obstacles.”
“I’m interested in exploring materials that other’s might view as pedestrian and turning them into something iconic.”
“I’m influenced by the Mediterranean landscape where I was raised and by the American landscape where I now live. Those two aesthetics come together in my paintings. I am making a poem about nature with my brush.”
“The work I have made over the past year has been driven by a new found interest in printmaking. It fit my art making practice/sensibilities because accidents are often the most interesting aspect.”
Mary creates work primarily with old furniture parts, aged metals and cast-off hardware. “I am driven to collect objects that have an interesting look, feel & aura about them. Usually the pieces seem to find me as I am walking in the woods, streets and shorelines.”
Rooted in her thoughts as a painter is the core theme of nature and spirituality and our deep connection to it.
Jennifer sees art as a pure exercise in pattern and color. By concentrating on assembling pleasing color palettes and striking patterns, she produces unique and quirky compositions.
Paula’s photographs are about capturing the unpredictable movements of ocean waves as they unfold to reveal fleeting portraits of light, form, color and texture.
Nancy Scheinman is an internationally recognized artist whose work has been shown in over 100 exhibitions, and acquired by numerous museums, corporations, and private collectors.
“Much of my free time is spent walking in the woods, along seashores and riverbeds, observing the movement of water, peering up at the sky, looking down at the ground and trying to understand the essential tendencies of Nature.”
Dana is an illustrator, ceramicist, author and designer who has exhibited in over 400 galleries. She is greatly inspired by the Chesapeake Bay surrounding her historic island home on the Eastern Shore that she and her husband have renovated.
“I would like the weather and the actual experience of making the painting to show up in my work: in the movement of brush strokes, in the layers of colors, marks, touches, and in the amounts of paint allowed by the length of time it took to do the painting.”
“I layer my materials to build up surfaces that suggest naturalistic rhythms and depth of field without forfeiting the flattened physicality of graphite and paint on paper and board.”
In her large scale etchings Pamela fuses abstract and botanical elements while layering black lines and colored shapes. The use of colored paper, applied with a technique called chine collé, unifies the individual elements and thus becomes the common theme.
“In my oil paintings, I am exploring how man-made systems, organization and manufacturing dominate the experience of the outside world.”